Grace Potter

Grace Potter

Grace Potter and the Nocturnals’ lead vocalist is multi-instrumentalist Grace Potter, who attended St. Lawrence University for two years before pursuing music professionally. In addition to lead vocals, Potter plays Hammond B3, Fender Rhodes, Wurlitzer Electric Piano and electric and acoustic guitars. The other members of the band are Scott Tournet, on guitars (including slide guitar) and harmonica, drummer Matthew Burr, Catherine Popper on bass guitar and vocals, and Benny Yurco on electric guitar and vocals. Bryan Dondero played bass guitar, upright bass, and mandolin with the group until his departure in early 2009.

The band was originally formed in late 2002 when Burr saw Potter perform folk songs in a student-run venue called The Java Barn on the St. Lawrence campus. Burr approached Potter about starting a band, citing James Brown and The Band as musical influences he heard in Potter’s voice and original songs. In the spring of 2003, Burr invited guitarist Tournet to join the group, thus cementing the founding members of the band that would become Grace Potter and the Nocturnals.

The group independently recorded and released one album, Nothing But the Water in 2005. An older album, Original Soul (2004), was a solo release from Potter. Following extensive airplay on Vermont Adult Album Alternative radio station WNCS the band signed a deal with Hollywood Records in December 2005 and re-released Nothing But the Water on May 23, 2006.

There is the legitimate concern a major label will push Potter hard and the Nocturnals will become the blurry guys on the t-shirt like in Almost Famous. She’s easy on the eyes and her stunning vocals have been compared to greats like Janis Joplin, Mother Earth’s Traci Nelson and Koko Taylor.

“We’ve been fighting with that one for years. It’s a tricky thing, and it’s still sometimes a touchy issue, but Grace is so damn cool about it,” Tournet offers. “She really wants us to be a band, and announces us like 20 times – sometimes too much – on stage. So, I feel bad when I get frustrated with something because it hurts her a lot. Even without Hollywood [Records], local people do this stuff to us. We were on Vermont Public Television recently to help [during a pledge drive]. I was born and raised in Vermont but we were just ‘the guys’ behind Grace. When we’re in the van together it’s so much fun, and there’s not that kind of energy. We all have our voices. It’s pretty democratic, but when we get outside of our little world it’s funny what people try to put on you.”

“It’s not really a label thing. We’ve been fighting this battle since the beginning,” adds Potter. “[Hollywood] has been really supportive of the band angle. There’s times when the label would fly me out separately without the band. That stuff freaks me out. But, I think they’ve learned their lesson because the meltdown occurs from the inside out. Our band is such a core, and there’s such a molten center to it that they’ve figured out they can’t play that card with us. It’s not a Gwen Stefani scenario.”

Grace was recently asked by Holly Hatch from Outfront Coloardo, a lesbian, gay, bisexual and transgender newspaper in the Denver metropolitan area, if she was ready for all this stardom”. Her reply; “FUCK YEAH! (Laughs). I’ve been ready for it since I was four-years-old. (Laughs). It’s time for me to fly the coupe, and I think the world is ready for us.”
You appeal to men, women, gay, straight and everywhere in between. The audience threw boxers and bras onstage at your performance at the Ogden Theatre. When did you start  getting the audience “involved” like this? “Oh, they love the undies”, Potter replied. “It’s funny because I don’t demand it at all. I think that the panties on stage really got started when I received unsolicited panties onstage. Maybe two winters ago, I noticed that it started to happen around the song, “Paris (Ooh La La).” And that’s the hanky-panky part of it, it started becoming central to the song. I began to think, this is a completely naughty song. So, I went with it.”
vPotter was asked in the same interview if she considers herself bi sexual. “Oh yeah. Oh fuck yeah! I have sex with Cat (Popper, female bassist) every day. You see me, (laughs). You see how much I touch her ass. I might as well have grabbed it out of her dress, with my teeth. I think sexuality is a big thing with the Nocturnals. We’re all very sexual creatures, and we’re very open about that. Um, so it is a little ambiguous, but we just have a ball. And definitely, sexuality plays into our music, in a big way.”

Potter admits to being bullied as a kid growing up. “There’s so much we can do as adults that have been through hard times. Ya know, I was bullied as a kid and definitely had my awkward years, and I think that there’s a responsibility for people who’ve been through it, like me, to explain to the younger generation, who might feel stuck in these moments, that it really does get better. That you define and create your life. Everybody is faced with resistance in their lives. It’s our responsibility to take control of our own fates.”

In 2006, the band won the Jammy Award for “Best New Groove” and was nominated for two more Boston Music Awards: Album Of The Year (major) for the re-release of Nothing But the Water, and Female Vocalist of the Year (for frontwoman Grace Potter). Potter played Hammond Organ and sang lead vocals alongside Joe Satriani, Steve Kimock, Reed Mathis, Willy Waldman, and Stephen Perkins during that appearance. They played a cover of Neil Young’s “Cortez the Killer”, to a standing ovation.

“Everybody, especially when you’re in a band and tour for a living, is always trying to find that place they’re getting to, but we figured out a long time ago, on the road traveling around, that’s not the point,” Potter says. “Getting to the destination usually sucks. It’s not just the journey that matters, LIFE matters. It’s not just about goals.”

“When I wrote ‘Paris,’ I was listening to the Kinks nonstop, and I was going for something with a big, primal riff, like ‘You Really Got Me.’ It was the first time I ever really just said, ‘I’m not going to try to tell a story, and I’m not going to try to communicate an emotion. I’m just going to say, basically, “I want to have sex right now.”‘ It’s my favorite song to perform. That and ‘Medicine’ are the sexiest, feistiest and the most fun of anything we’ve ever done.”

The group released its second album, This Is Somewhere, on August 7, 2007 on Hollywood Records and toured that fall supporting Gov’t Mule for its October and November North American tour.

“This is what we do,” says Potter. “We’re balancing it out a little better now, slowing down, working our way up in the world, being healthy about touring. As long as we can do that we can do this forever. People aren’t stupid. They can tell if you’re emulating ‘performance’ rather than joy. I see bands all the time where the guy in front is a ringmaster trying to keep everybody excited but the look on his face is one of terror. He might be smiling but I don’t believe it. I just think, ‘Dude, you could be working at Kinko’s right now.’ The other thing is that fame hungry bullshit trip. Some people get off on themselves so much they need that buzz from thousands of people.”

Their song “Apologies” was featured on the American television shows All My Children, Kyle XY, One Tree Hill, and Brothers & Sisters, and the song “Falling or Flying” was featured on the hit drama shows ER and Grey’s Anatomy and appeared on Volume 3 of the latter’s soundtrack.

On August 2, 2007, the band made their network television debut on NBC’s The Tonight Show with Jay Leno. This was followed by appearances on ABC’s Good Morning America on August 7, 2007 and CBS’ The Late Late Show with Craig Ferguson on August 10, 2007.

In 2008, the group opened for the Dave Matthews Band for three dates: a two-night stand at the Saratoga Performing Arts Center in Saratoga, New York June 20–21, and June 24 at the Tweeter Center in Mansfield, Massachusetts. The band played a full set at the Mile High Music Festival on July 20.

In November 2008, Bose began using “Ain’t No Time” in their North American iPod SoundDock sales displays.

Hollywood Records released the news on May 11, 2009 that T-Bone Burnett would be producing a new project with Potter, tentatively scheduled for fall of 2009. The project was deemed as a solo collaboration and both Potter and Burnett spoke very highly of the project to the press. By November 13, the band posted a new release date for the album, pushing it back to spring 2010. Hollywood Records shelved the T-Bone Burnett album in favor of a true band album, released June 8, 2010. The album was produced by Mark Batson, with “Tiny Light” as the first single. The video for “Tiny Light” was shot in Los Angeles during February 2010 with director Paul Minor.

During the 2009 Bonnaroo Music Festival, Grace Potter and the Nocturnals, along with playing their own set, joined Gov’t Mule and moe. on stage for their shows. Potter and Tournet joined Gov’t Mule onstage, while with moe. they one-by-one replaced the band during moe.’s five hour set and played four of their own songs to be replaced back by moe. in a musical collaboration known as “A Hostile Takeover”.

In 2010, the band appeared on Almost Alice, the companion soundtrack for Tim Burton’s feature film Alice in Wonderland, with a cover version of Jefferson Airplane’s song “White Rabbit”.

The band appeared at Hangout Music Festival on May 15, 2010 in Gulf Shores, Alabama. Potter appeared as a guest on stage with The Preservation Hall Jazz Band, singing vocals for “St. James Infirmary Blues” and joined Gov’t Mule on a cover of “Gold Dust Woman”.

In late May 2010, Vermont specialty chocolate maker Lake Champlain Chocolates created a new chocolate bar in conjunction with Grace Potter called Grace Under Fire. The dark chocolate contains pistachios and red pepper flakes.

On the eve of their eponymous album release date, the band announced on Facebook and Twitter that they were going to perform a free concert on Burlington, Vermont’s Church Street Marketplace the following day. The hour-long concert attracted thousands of viewers and became a huge local media story. The band sold merchandise and hosted a meet and greet with fans for three hours following the concert.

The group released their third studio recording, Grace Potter and the Nocturnals, on June 8, 2010. The album peaked at #5 on iTunes Top 100 album and #2 on iTunes Rock Albums Chart. The opening track, “Paris (Ooh La La)”, and iTunes bonus track “Fooling Myself” was in the Top 40 and Top 100, respectively, on iTunes Rock Songs Chart. On July 19, 2010, as a launch to their second single from Grace Potter and the Nocturnals, the band premiered the video to “Paris (Ooh La La)” on Hulu.

Potter also wrote a track titled “Something That I Want”, which was performed on One Tree Hill. In 2010, she re-wrote some of the lyrics and Disney chose it to be featured during the closing credits of their 50th animated feature Tangled, which Potter sung by herself. The movie soundtrack was released on November 16, 2010. There are good weekends and then there’s the one Grace Potter had to kick off December. After stealing the show at the ‘VH1 Divas Salute the Troops’ special, Potter and the Nocturnals rode that wave of publicity to the top of the iTunes album charts, knocking off the Beatles. She also has a key song in the new Disney animated film, ‘Tangled,’ which toppled ‘Harry Potter‘ at the box office.

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On February 9, 2012, Grace Potter announced the title of their upcoming fourth studio album, The Lion The Beast The Beat, noting that they collaborated with The Black Keys member Dan Auerbach. Song titles such as “Star”, “The Divide”, “Parachute Heart”, “Never Go Back”, and the title track.

Collaborations
Recorded between tours during the summer and fall of 2004 at the band’s Waitsfield rehearsal space, Depart So Slow featured the songwriting of singer/guitarist Scott Taylor with Grace Potter and the Nocturnals providing musical backing. It was engineered and mixed by Nocturnals guitarist Scott Tournet.

In 2008, Potter recorded a version of “I Want Something That I Want” with Bethany Joy Galeotti (One Tree Hill) on a track from the acoustic sessions from One Tree Hill. In addition to this collaboration, Potter also served as guest composer in the seventh episode of the show’s sixth season, “Messin’ With the Kid”. Potter appeared as herself on the show, performing “I Want Something That I Want” with Galeotti’s character Haley James Scott. She also performed “Ah, Mary”.

In 2009, Potter was featured on the track “Ordinary Man” by fellow Vermont singer-songwriter Gregory Douglass on his album Battler.

Potter contributed again to One Tree Hill in the show’s eighth season. Various artists covered Gavin DeGraw’s hit song “I Don’t Want to Be” to be played over the show’s opening credits. Potter contributed her cover for the eighth episode of the season, Mouthful of Diamonds.

Potter sang on the track “You and Tequila”, on the September, 2010, album Hemingway’s Whiskey by country music singer Kenny Chesney. Chesney joined the Nocturnals when they opened on October 30 for The Avett Brothers at the Ryman Auditorium in Nashville.

She also found a friend and inspiration in Chesney. “I thought I knew everything there was to know about country music. I kind of wrote it off and filed it away. But doing that record with him, and that song in particular, ‘You and Tequila,’ really opened my mind to how amazing that whole world of songwriting is,” she says. “I went down to Nashville and the process of songwriting in Nashville, I loved it. It’s really organic. I made a lifelong friend in Kenny. He was texting me all night in ‘VH1 Divas’ telling me how proud he was of me.”

That concert, which featured Potter teaming up with Heart, might lead to even more collaborations, though nothing is definite yet. “There was a lot of jiving going on backstage, a lot of good girl time, so you never know,” she says. “The thing I really loved about the show was it really was a genre-bending moment for everybody. There was pop, there was soul, there were pop princesses and Paramore comes in and has sort of the younger crowd, alternative vibe. There’s a lot going on there and a lot musically that could be done.”

In 2011, their song “Paris (Ooh la la)” was featured on the season 2 promo for the TNT television series Rizzoli & Isles. In July, 2011 Grace was with Chelsea Handler on her T.V. show. She is also launching a line of chocolates along with her band, The Nocturnals. Grace provided the voice of Carol, the owner of Christmas Carol’s, a bar in the Disney Christmas special Prep & Landing: Naughty vs. Nice in December 2011.

Grace Potter & The Nocturnals released “Things I Never Needed” on June 8, 2010

Albums
Nothing But the Water (2005)
Live Oh Five (2005)
This Is Somewhere (2007)
Live In Skowhegan (2008)
Grace Potter and the Nocturnals (2010)
The Lion The Beast The Beat (2012)

Singles
“Ah, Mary” (2007)
“Apologies” (2007)
“I Want Something That I Want” (2008)
“Tiny Light” (2010)
“Paris (Ooh La La)” (2010)
“Never Go Back” (2012)


George Harrison

George Harrison, MBE (February 25, 1943 – November 29, 2001) was an English musician, guitarist, singer-songwriter, actor and film producer who achieved international fame as lead guitarist of The Beatles. Often referred to as “the quiet Beatle”, Harrison became over time an admirer of Indian mysticism, and introduced it to the other Beatles, as well as their Western audience. Following the band’s break-up he was a successful solo artist, and later a founding member of the Traveling Wilburys. Harrison was also a session musician and a film and record producer. He is listed at number 11 in Rolling Stone magazine’s list of “100 Greatest Guitarists of All Time”.

Although most of The Beatles’ songs were written by Lennon and McCartney, Beatle albums generally included one or two of Harrison’s own songs, from With The Beatles onwards. His later compositions with The Beatles include “Here Comes the Sun”, “Something” and “While My Guitar Gently Weeps”. By the time of the band’s break-up, Harrison had accumulated a backlog of material, which he then released as the triple album All Things Must Pass in 1970, from which two hit singles originated: a double A-side single, “My Sweet Lord” backed with “Isn’t It a Pity”, and “What Is Life”. In addition to his solo work, Harrison co-wrote two hits for former Beatle Ringo Starr, as well as songs for the Traveling Wilburys—the supergroup he formed in 1988 with Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison.
Harrison embraced Indian culture and Hinduism in the mid-1960s, and helped expand Western awareness of sitar music and of the Hare Krishna movement. With Ravi Shankar he organised the first major charity concert with the 1971 Concert for Bangladesh. In addition to his musical accomplishments, he was also a record producer and co-founder of the production company HandMade Films. In his work as a film producer, he collaborated with people as diverse as the members of Monty Python and Madonna.

He was married twice, to model Pattie Boyd from 1966 to 1974, and for 23 years to record company secretary Olivia Trinidad Arias, with whom he had one son, Dhani Harrison. He was a close friend of Eric Clapton. He is the only Beatle to have published an autobiography, with I Me Mine in 1980. Harrison died of lung cancer in 2001.

Harrison was born in Liverpool, Lancashire, England, on 25 February 1943, the last of four children to Harold Hargreaves Harrison and his wife Louise, née French.

He had one sister, Louise, born 16 August 1931, and two brothers, Harry, born 1934, and Peter, born 20 July 1940. His mother was a Liverpool shop assistant, and his father was a bus conductor who had worked as a ship’s steward on the White Star Line. His mother’s family had Irish roots and were Roman Catholic; his maternal grandfather, John French, was born in County Wexford, Ireland, emigrating to Liverpool where he married a local girl, Louise Woollam.

Harrison was born in the house where he lived for his first six years: 12 Arnold Grove, Wavertree, Liverpool, which was a small 2 up, 2 down terraced house in a cul-de-sac, with an alley to the rear. The only heating was a single coal fire, and the toilet was outside. In 1950 the family were offered a council house, and moved to 25 Upton Green, Speke.

1987

His first school was Dovedale Primary School, very close to Penny Lane, the same school as John Lennon who was a couple of years ahead of him. He passed his 11-plus examination and achieved a place at the Liverpool Institute for Boys (in the building that now houses the Liverpool Institute for Performing Arts), which he attended from 1954 to 1959.

Harrison said that, when he was 12 or 13, he had an “epiphany” of sorts – riding a bike around his neighbourhood, he heard Elvis Presley’s “Heartbreak Hotel” playing from a nearby house and was hooked. Even though he had done well enough on his 11-plus examination to get into the city’s best high school, from that point on, the former good student lost interest in school.

When Harrison was 14 years old, he sat at the back of the class and tried drawing guitars in his schoolbooks: “I was totally into guitars. I heard about this kid at school who had a guitar at £3 10s, it was just a little acoustic round hole. I got the £3 10s from my mother: that was a lot of money for us then.” Harrison bought a Dutch Egmond flat top acoustic guitar. While at the Liverpool Institute, Harrison formed a skiffle group called the Rebels with his brother Peter and a friend, Arthur Kelly. At this school he met Paul McCartney, who was one year older. McCartney later became a member of John Lennon’s band called The Quarrymen, which Harrison joined in 1958.


Freddie Mercury

Freddie Mercury

Born: 5-Sep-1946
Birthplace: Stone Town, Zanzibar
Died: 24-Nov-1991
Location of death: London, England
Cause of death: AIDS
Remains: Cremated (ashes scattered at Lake Geneva, Switzerland)

Gender: Male
Religion: Zoroastrian
Race or Ethnicity: Asian/Indian
Sexual orientation: Bisexual
Occupation: Singer/Songwriter

Nationality: England
Noteriety: Lead singer, Queen

http://www.queenonline.com/

Born Farrokh Bulsara to Parsee Indian parents, the flamboyant performer who would later be known as Freddie Mercury began his life in Stone Town, the center of commerce for the small African island of Zanzibar, where his father held a civil service post at the British Colonial Office. Sent to the British-run St. Peter’s boarding school in Panchgani, India, at the age of eight, Farrokh displayed a strong aptitude for sports, art and music; at his headmaster’s recommendation his parents added piano lessons to his curriculum, and by the age of twelve he was performing alongside four of his schoolmates in The Hectics, St. Peter’s first rock and roll band. It was during his years at boarding school that he became known as “Freddie”, a name which even his parents and relatives came to use for him. After completing school in 1962 Freddie returned to Zanzibar, but two years later political upheavals forced him and his family to leave, ultimately settling in the British county of Middlesex.

Once in Britain, Freddie decided to pursue an art education, enrolling at Isleworth Polytechnic to earn his A level in art while supporting himself with various manual labor jobs. By 1966 the promising student had been accepted into the Ealing College of Art, and he subsequently moved into a flat in Kensington to begin a study of graphic illustration. It was during this time that Freddie was once again drawn towards the music side of his interests by friend and bass player Tim Staffell, a member of the band Smile alongisde guitarist Brian May and drummer Roger Taylor. Freddie and Tim briefly created their own ensemble with Freddie’s roommate Chris Smith and fellow student Nigel Foster, and although no completed songs resulted from their time together, the sessions did provide the start of Freddie’s career as a vocalist. In 1969 he completed his work at Ealing and opened an art and clothing stall in Kensington with Taylor, but soon after added his talents to the Liverpool band Ibex — eventually changing their name to Wreckage before they ceased to exist later in the year.

Determined to continue his music career, towards the end of 1969 Freddie responded to an ad for a vocalist placed by the band Sour Milk Sea, but this new situation would disintegrate even more rapidly than his previous one. The departure of Tim Staffnell from Smile provided a new opportunity almost immediately afterwards, and in April of 1970 Freddie joined up with his friends Taylor and May — changing the band’s name to Queen and changing his own name to Freddie Mercury. A transitional period followed, during which the three developed their sound and moved through a series of bass players; a successful match was finally found in the person of John Deacon in 1971, and ultimately a deal with EMI was arranged. A few months prior to any release by the band, Mercury released the single I Can Hear Music b/w Going Back under the name Larry Lurex (although still backed by his Queen bandmates), which quickly vanished without a trace.

Queen’s self-titled debut arrived in 1973, positioning them in the UK top 30 for several months and giving them some mild radio rotation with the song Keep Yourself Alive. Critical response to the release was far from enthusiastic — a condition that would persist throughout most of the band’s career. The second release Queen II (1974) fared a little better than the first album, and it’s single Seven Seas of Rhye provided them with their first entry into the top 10; but it would be the third album Sheer Heart Attack (1975) and the single Killer Queen that finally earned mainstream success for the band, both releases finding their way up to number 2 chart positions in the UK, while finding a much larger audience in the States as well. Mercury and his bandmates then cemented their reputation for elaborate, theatrical productions with the release of 1975’s A Night at the Opera: a career-defining album that featured one of the band’s most popular (and ambitious) songs, Bohemian Rhapsody.

Continuing in the same vein as Opera, the fifth Queen effort A Day at the Races (both it and its predecessor taking their titles from films by the Marx Brothers) was released in 1976, the lead single Somebody to Love once again utilizing the extensive, multi-tracked vocals that characterized Bohemian Rhapsody. By this time Queen had become one of the leading stadium rock bands of the decade, attracting enormous audiences in many different parts of the world to their over-the-top live performances. The critical reception given to the band’s output continued to be somewhat unfavorable despite this huge popularity, and subsequent albums such as News of the World (1977) and Jazz (1978) — while still finding their way high into the charts — were given dismissive reviews. A brief hiatus from the exhausting schedule of recording and touring of the previous five years was subsequently taken in 1979, the gap in releases being filled by the platinum-selling live album Live Killers. In October of that year, Mercury was given the opportunity to perform with the Royal Ballet, adding live vocals to orchestral versions of Bohemian Rhapsody and the band’s newest single, Crazy Little Thing Called Love.

In 1980 Queen returned with one of the most successful albums of their career, topping both the US and UK charts with the platinum-selling effort The Game. The first two singles Another One Bites The Dust and Crazy Little Thing Called Love also managed to reach #1 in the States, while a considerably more reserved reception was given to the band’s campy soundtrack to Mike Hodges updated version of Flash Gordon, released six months later. The David Bowie collaboration Under Pressure followed in 1981, once again placing Queen at the top of the UK charts, but the disco/funk leanings evident on some of the tracks of 1982’s Hot Space outdistanced the sensibilities of their mainstream rock audience and resulted in somewhat of a backlash against the quartet. Another (and longer) hiatus from live performance was taken in 1983.

The subtle decline in Queen’s fortunes continued in 1984, and while their 11th studio album The Works made the top 10 in most areas and produced several popular UK singles, response in the US set them back to their pre-Sheer Heart Attack days. This turn in public opinion was worsened by a series of performances at Sun City in South Africa in the midst of growing anti-apartheid sentiment in the West. In the aftermath, Mercury spent a period away from the band recording his only full-length solo album Mr. Bad Guy, released in early 1985; but he and his bandmates would reassemble in time for a show-stealing performance at the Live Aid benefit, staged at Wembley Stadium and broadcast around the globe in July. The next studio album A Kind of Magic successfully returned the band’s into popular favor, and the subsequent tour (the final one to include Mercury, as it would later turn out) quickly sold out in Britain’s largest venues.

While Queen took an extended break over 1987 and 1988, Mercury took the time to assemble two more solo projects: a single release of his interpretation of The Platters 1956 classic The Great Pretender (1987) and an album-length collaboration with soprano Montserrat Caballé titled Barcelona (1988). The latter project was completed after the singer had been diagnosed with AIDS — a fact he struggled (not entirely successfully) to conceal for the next four years while continuing to pursue his creative activities. Another album with Queen, The Miracle, was released in 1989 to enthusiastic public response in the UK and Europe and a somewhat milder welcome in the US; its follow-up Innuendo would surface two years later and represent the singer’s final recorded performances. An official announcement of Mercury’s illness was finally made on 23 November 1991 — the day before he succumbed to AIDS-related bronchial pneumonia.

Father: Bomi Bulsara
Mother: Jer
Sister: Kashmira
Girlfriend: Mary Austin (to whom he left some of his estate)

University: Isleworth Polytechnic (1966)
University: Ealing College of Art (1969)

Queen Vocalist/Keyboardist (1970-91)
Freddie Mercury
Indian Ancestry
Risk Factors: AIDS

FILMOGRAPHY AS ACTOR
Queen Live at Wembley ’86 (Oct-1986) · Himself
Live Aid (13-Jul-1985) · Himself
We Will Rock You: Queen Live in Concert (1982) · Himself

Is the subject of books:
The Show Must Go On: The Life and Times of Freddie Mercury, 1992, BY: Rick Sky
Freddie Mercury: This Is the Real Life, 1993, BY: David Evans and David Minns
Mercury: The King of Queen, 1996, BY: Laura Jackson
The Great Pretender: The Hidden Life of Freddie Mercury, 1997, BY: Januszczak Waldemar
Freddie Mercury: The Definitive Biography, 1997, BY: Lesley-Ann Jones
Living on the Edge:The Freddie Mercury Story, 1999, BY: David Bret
Freddie Mercury, 2001, BY: Peter Freestone

In loving memory of Spencer 1969 – 2000


Eric Clapton

Eric Clapton 

Born: March 30, 1945
Birthplace: Ripley, Surrey, England

Gender: Male
Religion: Christian
Race or Ethnicity: White
Sexual orientation: Straight

Occupation: Guitarist

Eric Patrick Clapton was born on 30 March 1945 in his grandparents’ home at 1 The Green, Ripley, Surrey, England. He was the son of 16-year-old Patricia Molly Clapton (born January 7, 1929, died March 1999) and Edward Walter Fryer (born  March 21, 1920, died 1985), a 24-year-old Canadian soldier stationed in England during World War II. Before Eric was born, Fryer returned to his wife in Canada.

It was extraordinarily difficult for an unmarried 16-year-old to raise a child on her own in the mid-1940s. Pat’s parents, Rose and Jack Clapp, stepped in as surrogate parents and raised Eric as their own. Thus, he grew up believing his mother was his sister. His grandparents never legally adopted him, but remained his legal guardians until 1963. Eric’s last name comes from Rose’s first husband and Pat’s father, Reginald Cecil Clapton (d. 1933).

Eric’s mother, Pat, eventually married and moved to Canada and Germany as her husband, Frank MacDonald, continued his military career. They had two girls and a boy. Eric’s half-brother, Brian, was killed in a road accident in 1974 at the age of 26. His half-sisters are Cheryl (b. May 1953) and Heather (b. September 1958).

Eric was raised in a musical household. His grandmother played piano and his uncle and mother both enjoyed listening to the sounds of the big bands. Pat later told Eric’s official biographer, Ray Coleman, that his father was a gifted musician, playing piano in several dance bands in the Surrey area.
Quiet and polite, he was characterized as an above-average student with an aptitude for art. But, from his earliest years in school, he realized something was not quite right when he wrote his name as “Eric Clapton” and his parents’ names as “Mr. and Mrs. Clapp”. At the age of nine, he learned the truth about his parentage when Pat returned to England with his six-year-old half brother for a visit. This singular event affected him deeply and was a defining moment in his life. He became moody and distant and stopped applying himself at school. Emotionally scarred by this event, Eric failed the all-important 11 Plus Exams. He was sent to St. Bede’s Secondary Modern School and two years later, entered the art branch of Holyfield Road School.

By 1958, Rock and Roll had exploded onto the world. Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest. Two years later Clapton picked it up again and started playing consistently. Clapton was influenced by the blues from an early age, and practiced long hours to learn the chords of blues music by playing along to the records. He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he’d gotten it right. In 1961, when he was 16, Eric began studying at the Kingston College of Art on a one-year probation. He was expelled at the end of that time for lack of progress as he had not submitted enough work. The reason? Guitar playing and listening to the blues dominated his waking hours.

Typical of his introspective nature, Eric looked beneath the surface and explored the roots of rock in American Blues. The blues also meshed perfectly with his self-perception as an outsider and of being “different” from other people. Sometime in 1962, he asked for his grandparents’ help in purchasing a £100 electric double cutaway Kay (a Gibson ES-335 clone) after hearing the electric blues of Freddie King, B.B. King, Muddy Waters, Buddy Guy, and others.

Eric spent his early days in music busking around Richmond and Kingston, he also began spending time in London and the West End. In early 1963, 17 year-old Eric joined his first band, The Roosters. Following the band’s demise in August 1963, he spent one month in the pop-oriented Casey Jones and The Engineers. Before turning to music as a full-time career, he supported himself as a laborer at building sites, working alongside his grandfather, a master bricklayer and plasterer.

October 1963, Keith Relf and Paul Samwell-Smith recruited him to become a member of The Yardbirds because Clapton was the most talked about guitar player on the R&B pub circuit. During his 18-month tenure with The Yardbirds, he earned his nickname, Slowhand, and recorded his first albums: Five Live Yardbirds and Sonny Boy Williamson and The Yardbirds. The band also recorded the single, “Good Morning Little Schoolgirl”. But, Eric had not abandoned his serious research into the American Blues. When The Yardbirds began moving towards a more commercial sound with “For Your Love”, he quit. His path in music was the blues.

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In April 1965, John Mayall invited Eric to join his band, John Mayall’s Bluesbreakers. With this group, Clapton established his reputation as a guitarist and earned his second nickname: “God”. It came from an admirer’s graffiti on the wall of London’s Islington Tube Station that boldly proclaimed “Clapton is God.” Eric’s time with the band was turbulent and he left for a while to tour Greece with friends. Upon his return from Greece, Eric rejoined the Bluesbreakers. It was during this time that the now classic Blues Breakers With Eric Clapton was recorded. While with the Bluesbreakers, Eric also recorded a one-off four-track session with a band dubbed “The Powerhouse”. This studio band included John Paul Jones, Steve Winwood and Jack Bruce.

After leaving the Bluesbreakers for a second and final time in July 1966, Eric teamed up with Jack Bruce and Ginger Baker to form Cream. Extensive touring in the U.S. and three solid albums – Fresh Cream, Disraeli Gears, and Wheels of Fire – brought the band worldwide acclaim. While a member of Cream, he cemented his reputation as rock’s premier guitarist and was elevated to superstar status. Although Cream was together for only two years, they are considered one of the most influential rock groups of the modern era. Clapton was unique because he did not simply replicate the blues riffs he heard on records. He incorporated the emotion of the original performances into his own style of playing, thus expanding the vocabulary of blues guitar. Cream crumbled beneath the weight of the member’s egos and constant arguing. They disbanded after two final performances at London’s Royal Albert Hall on 26 November 1968.

Following Cream’s break-up, Clapton founded Blind Faith – rock’s first “supergroup” – with Steve Winwood, Ginger Baker, and Rick Grech. Disbanding after one album and a disastrous American tour, Eric tried to hide from his growing fame by touring as a sideman with Delaney & Bonnie & Friends. While with this outfit, Eric was encouraged to sing by Delaney Bramlett. He also began composing more. A live album from the Delaney & Bonnie tour was released in 1970. Clapton’s self-titled debut was released that same year.

In the summer of 1970, Eric formed Derek and the Dominos with Jim Gordon, Carl Radle and Bobby Whitlock from Delaney & Bonnie’s band . The Dominos would go on to record the seminal rock album, Layla and Other Assorted Love Songs. A concept album, its theme revolved around Clapton’s unrequited love for George Harrison’s wife, Patti. The band would drift apart following an American tour and a failed attempt at recording a second album.

 

Hit hard by the break up of The Dominos, the commercial failure of the Layla album and his unrequited love, Eric sunk into three years of heroin addiction. Although he rarely emerged from his Surrey Estate, he filled box upon box with tapes of songs. He kicked his drug addiction and re-launched his career in January 1973 with two concerts at London’s Rainbow Theater organized by his friend, Pete Townshend (The Who). The concerts represented a turning point in his career. In 1974, he reappeared with a new style and sound with 461 Ocean Boulevard. Eric had become an assured vocalist and composer in addition to a guitar hero.

With each album after 461 Ocean Boulevard, Eric reinvented himself musically. Throughout the 1970s and early 1980s, albums and tours would follow year in and year out. In 1985, Clapton found a new audience following his performance at the worldwide charity concert, Live Aid. Annual stands at the Royal Albert Hall and successful albums like August, Journeyman and the Crossroads box set kept him well in the public mind. In the late 80s, he carved out a second career as the composer of film scores. His career went from strength to strength and reached new heights in 1992 with the release of Unplugged and the Grammy winning single, “Tears In Heaven.”

In 1994, Eric returned to his blues roots with the release of From The Cradle. The album was Clapton’s tribute to his musical heroes and contained cover versions of blues classics. 1997 brought an excursion into electronica with the release of TDF’s Retail Therapy . Eric posed as X-Sample in the studio “band” TDF. In 1998, he released the soul-influenced Pilgrim, his first album of all new material in nine years. In 2000, he continued his love affair with the blues when he recorded an album with American blues legend, B.B. King. Riding With The King was released in June and within three weeks of release, was certified gold.

Shortly after the release of Riding With The King, Clapton was back in the studio recording his next solo project. Reptile was released in March 2001. In late 2002, he began to record a new studio album. Work continued through the summer of 2003 and enough material was recorded for two albums. In addition to new solo material, Eric recorded covers of Robert Johnson songs during these sessions. The Johnson songs were assembled and in March 2004, Eric’s tribute album, Me and Mr. Johnson was released. The solo material recorded during these sessions was released in 2005 on Back Home.

In 2005, Eric also revisted the past. He, Ginger Baker and Jack Bruce re-formed Cream for four very special reunion shows at London’s Royal Albert Hall. The concerts took place at the venue where their farewell shows took place 37 years earlier, in November 1968. In October 2005, the men performed three further concerts at New York’s Madison Square Garden. The London shows were released on CD and DVD in late 2005.

Eric’s next recording project was to be produced by one of the architects of the “Tulsa Sound,” J.J. Cale. Eric had long admired Cale’s work, having recorded cover versions of “After Midnight,” “Cocaine,” and “Travelin’ Light.” After working in the studio a short time, it turned into a collaborative effort. The Road To Escondido was released on 7 November 2006 to critical acclaim. It won the Grammy Award for Best Contemporary Blues Album (Vocal or Instrumental) at the 50th Annual Awards Ceremony in Los Angeles on 10 February 2008.

In his more than 40 year career, Eric Clapton has received many awards. He is the only triple inductee into the Rock & Roll Hall Of Fame (as a member of both the Yardbirds and Cream and as a solo artist). He has also won or shared in eighteen Grammy Awards.

Eric has also contributed to numerous artists’ albums over the decades. The most well known session occurred in September 1968, when he added guitar to George Harrison’s composition, “While My Guitar Gently Weeps.” It is on the album, The Beatles (best known as “The White Album”). He can also be heard on albums by Aretha Franklin, Steven Stills, Bob Dylan, Elton John, Plastic Ono Band (John Lennon and Yoko Ono), Ringo Starr, Sting, and Roger Waters.

Eric has always toured extensively performing thousands of concerts around the globe. Recent solo world tours took place in 2001, 2004 and 2006 / 2007 and a 27 date Summer Tour in 2008 which visited the eastern U.S., Canada and Europe. Additionally, in February 2008 Eric performed three concerts with long-time friend Steve Winwood at New York’s Madison Square Garden. In 2009, Eric will again be on the road with his band visiting Japan, New Zealand and Australia before returning home for a 11 night stand at London’s Royal Albert Hall in May.

After conquering his heroin addiction in the early 70s, Eric replaced it with an addiction to alcohol. Throughout the remainder of the decade and into the 1980s, his life and work suffered due to his alcoholism. In January 1982, Eric entered the Hazelden Foundation, a rehabilitation facility in the United States. He did backslide but entered rehab a second time a few years later. He has been sober since 1987 through the 12 steps of Alcoholics Anonymous. Since that time, Eric has been committed to working with others who suffer from addictions to drugs and alcohol.

In February 1998, Eric announced the opening of Crossroads Centre, a rehabilitation facility for drug and alcohol abuse on the island of Antigua. One of its principles is to provide subsidized care for some of the poorest people of the Caribbean who can not afford such care on their own. A foundation was established to provide “scholarships” for these individuals. On 24 June 1999, Clapton auctioned 100 of his guitars, including “Brownie” (the guitar on which he recorded “Layla”), at Christie’s Auction House / New York. The 1999 auction netted almost $5 million (US) for the foundation. On 30 June 1999, Clapton hosted a concert to benefit the Centre at New York City’s Madison Square Garden. Proceeds from its airing on America’s VH1 and DVD and video sales benefited the Centre. Five years later, Eric planned the second and final major fundraising effort for the Centre. On 4, 5 and 6 June 2004, he hosted the First Crossroads Guitar Festival in Dallas, Texas. The three day event presented the cream of the world’s guitarists in a benefit event for the Centre. The event was filmed and proceeds from the sale of the DVD also benefit the foundation. Additionally, a second guitar auction took place on 24 June 2004. It raised an additional $6 million for the foundation and included the sale of “Blackie”, his legendary Fender Stratocaster and a cherry red Gibson ES335, known as “The Cream Guitar”. The Second Crossroads Guitar Festival, with proceeds again benefitting the Crossroads Centre Foundation, took place on 28 July 2007 in Chicago, Illinois. The event was filmed and a DVD was released on 6 November 2007.

In October 2007, Eric’s autobiography, Clapton, was published. It is available in twelve languages and topped the best-seller lists around the world.

Eric is married. He and his wife, Melia, have three daughters – Julie Rose (born June 2001), Ella Mae (born January 2003) and Sophie (born February 2005). The couple married on January 1st 2002. Eric’s eldest child is his daughter, Ruth (born January 1985).

His son, Conor (born August 1986), died on 20 March 1991 when he fell from a window in his mother’s New York City apartment. Conor’s mother is Lori del Santo, a film actress / television personality.

Eric married his first wife, Pattie Boyd Harrison on March 27, 1979. They had no children and divorced in 1989.

In loving memory of Spencer 1969 – 2000


Don Henley

Born: July 22nd,1947
Birthplace: Gilmer, TX
Gender: Male
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Musician
Party Affiliation: Democratic
Nationality: United States
Executive summary: The Eagles

Father: C. J. Henley (died 1972)
Mother: Hughlene McWhorter (died 2003)
Wife: Sharon Summerall (married 20-May-1995, two daughters, one son)

Official Website:
http://www.donhenley.com/

Donald Hugh “Don” Henley (born July 22, 1947, in Gilmer, Texas) is an American singer, songwriter and drummer, best known as a founding member of the Eagles before launching a successful solo career. Henley was the drummer and lead vocalist for the Eagles from 1971–1980, when the band broke up. Henley sings lead vocals on Eagles hits such as “Witchy Woman“, “Desperado“, “Best of My Love“, “One of These Nights“, “Hotel California“, “Life in the Fast Lane“, and “The Long Run“. He and Glenn Frey formed one of the most successful songwriting partnerships in music history.

After the Eagles broke up in 1980, Henley pursued a solo career and released his debut album in 1982. He has released four studio albums, two compilation albums, and one live DVD. His solo hits include “Dirty Laundry“, “The Boys of Summer“, “All She Wants to Do Is Dance“, “The Heart of the Matter”, “The Last Worthless Evening“, “Sunset Grill“, “Not Enough Love in the World“, “New York Minute” and “The End of the Innocence“.

The Eagles have sold over 120 million albums worldwide, won six Grammy Awards, had five #1 singles, 17 Top 40 singles, and six #1 albums. They were inducted into the Rock and Roll Hall of Fame in 1998 and are the biggest selling American band in history. As a solo artist, Henley has sold over 10 million albums worldwide, had eight Top 40 singles, won two Grammys and five MTV Video Music Awards. Combined with the Eagles and as a solo artist, Henley has released 25 Top 40 singles on the Billboard Hot 100. He has released seven studio albums with the Eagles and four as a solo artist. In 2008, he was ranked the 87th greatest singer of all time by Rolling Stone magazine.

Henley has also played a founding role in several environmental and political causes, most notably the Walden Woods Project. Since 1994, he has divided his musical activities between the Eagles and his solo career.

Henley grew up in the small northeast Texas town of Linden. He initially attended college at Stephen F. Austin State University in Nacogdoches, Texas. He then attended North Texas State University (renamed in 1988 as University of North Texas) in Denton, Texas, from 1967 to 1969. Henley left school to spend time with his father, who was dying from heart and arterial disease.

In 1970, he moved to Los Angeles to record an album with his early band, Shiloh. Shiloh’s album was produced by fellow Texan Kenny Rogers. Shortly thereafter, Henley met Glenn Frey. They both became members of Linda Ronstadt‘s backup band. Touring with her was the catalyst for forming the group. As a result, two months later they, along with Bernie Leadon and Randy Meisner, became their own act, Eagles.

The Eagles were formed in September 1971, and released their first album in 1972, which contained the hit song “Take It Easy“, written by Frey and Jackson Browne. During the band’s run, Henley co-wrote (usually with Frey) most of the band’s best-known songs.

Henley sang lead vocals on many of the band’s popular songs, including “Desperado“, “Witchy Woman“, “Best of My Love“, “One of These Nights“, “Hotel California“, “The Long Run“, “Life in the Fast Lane” and “Wasted Time”. The Eagles won numerous Grammy Awards during the 1970s and became one of the most successful rock bands of all time. They are also among the top 5 overall best-selling bands of all time in America and the highest selling American band in U.S. history.

 

The band broke up in 1980, following a difficult tour and personal tensions that arose during the recording of The Long Run. The Eagles subsequently reunited in 1994. Henley continues to tour and record with the Eagles. Their latest album, Long Road Out of Eden, was released in 2007.

Solo Career

Following the breakup of the Eagles, Henley embarked on a solo career. He and Stevie Nicks (his girlfriend at the time) had duetted on her Top 10 Pop and Adult Contemporary hit “Leather and Lace” in late 1981. Henley’s first solo album, 1982’s I Can’t Stand Still, was a moderate seller. The single “Dirty Laundry” reached #3 on Billboard Hot 100 at the beginning of 1983 and earned a Gold-certified single for sales of over a million copies in the US. It was Henley’s all-time biggest solo hit and was nominated for a Grammy. Henley also contributed “Love Rules” to the 1982 Fast Times at Ridgemont High soundtrack.

This was followed in 1984 by Building the Perfect Beast. A single release, “The Boys of Summer“, reached No. 5 on the Billboard Hot 100. The music video for the song was directed by Jean-Baptiste Mondino and won several MTV Video Music Awards including Best Video of the Year. Henley also won the Grammy Award for Best Male Rock Vocal Performance for the song. Several other songs on the album, “All She Wants to Do Is Dance” (No. 9 on Hot 100), “Not Enough Love in the World” (#34) and “Sunset Grill” (#22) also received considerable airplay. He then had a #3 album rock chart hit with “Who Owns This Place?” from 1986’s The Color of Money soundtrack.

 

Henley’s next album, 1989’s The End of the Innocence, was even more successful. The song “The End of the Innocence“, a collaboration with Bruce Hornsby reached No. 8 as a single. “The Heart of the Matter“, “The Last Worthless Evening” and “New York Minute” were among other songs that gained radio airplay. Henley again won the Best Male Rock Vocal Performance Grammy in 1990 for the album. Also in 1989, Henley made a brief appearance on MTV‘s Unplugged series.

In 1995 Henley released the single “The Garden of Allah” to promote his greatest hits solo album Actual Miles: Henley’s Greatest Hits.

In live shows, Henley would play drums and sing simultaneously only on certain Eagles songs. On his solo songs he would either play electric guitar and sing or just sing. Occasionally Eagles songs would get drastic rearrangements, such as “Hotel California” with four trombones.

Don Henley spent many years in legal entanglements with record company Geffen Records. Following years of tension between Henley and the label, the dispute went public and the record company filed a $30-million breach-of-contract suit in Superior Court after receiving a notice from Henley saying he was terminating his contract even though he reportedly owed the company two more studio albums and a greatest-hits collection. Henley wanted to sign a publishing deal with EMI that would have been worth a few million dollars. Geffen Records stopped this from happening, which in turn upset Henley.

Geffen Records claimed that Henley was in breach of contract and Henley attempted to get out of his contract in 1993 based on an old statute. Under the statute, a California law enacted over 50 years ago to free actors from long-term studio deals, entertainers cannot be forced to work for any company for more than seven years. Geffen Records did not want Henley signing with any other label, and had an agreement from Sony and EMI that they would not sign Henley. Henley counter-sued Geffen Records claiming he was “blackballed” by David Geffen, who made agreements with other record labels not to sign him. Henley eventually became an outspoken advocate for musicians’ rights, taking a stand against music labels whom he feels refuse to pay bands their due royalties. Henley came to terms with Geffen Records when the Eagles reunion took off and the company eventually took a large chunk of the profit from the reunion album. Glenn Frey was also in legal entanglements with his label, MCA Records (whose parent company had also acquired Geffen). Before the Eagles reunion tour could begin, the band had to file suit against Elektra Records, who had planned to release a new Eagles Greatest Hits album. The band won that battle.

Don Henley and Courtney Love testified at a California Senate hearing on that state’s contractual laws in Sacramento on September 5, 2001. In 2002 Henley became the head of the Recording Artist’s Coalition. The coalition’s primary aim was to raise money to mount a legal and political battle against the major record labels. Henley says the group seeks to change the fundamental rules that govern most recording contracts, including copyright ownership, long-term control of intellectual property and unfair accounting practices. This group filed a friend-of-the-court brief in the Napster case, urging District Judge Marilyn Hall Patel not to accept the industry’s broad claims of works made for hire authorship.

A long period without a new recording followed, as Henley waited out a dispute with his record company while also participating in a 1994 Eagles reunion tour and live album. During the hiatus, Henley recorded a cover of “Sit Down, You’re Rockin’ the Boat” for the film Leap of Faith, provided background vocals for country star Trisha Yearwood‘s hit single “Walkaway Joe”, and duetted with Patty Smyth on “Sometimes Love Just Ain’t Enough” and Roger Waters on “Watching TV” on Waters’ Amused to Death album, in 1992. Henley provided the voice of Henry Faust in Randy Newman’s Faust, a 1993 musical which was released on compact disc that year.

In 2000, after 11 years, Henley released another solo studio recording, Inside Job, containing the single “Taking You Home”. He performed songs from the album in a VH1 Storytellers episode in 2000. In 2002 a live DVD entitled Don Henley: Live Inside Job was released. In 2005 Henley opened 10 of Stevie Nicks‘ concerts on her Two Voices Tour.

Henley performed duets with Kenny Rogers on Rogers’ 2006 release Water & Bridges titled “Calling Me” and on Reba McEntire’s 2007 album, Reba: Duets, performing “Break Each Other’s Hearts Again”.

In a 2007 interview with CNN, while discussing the future of the Eagles, Henley indicated he still has plans for more records: “But we all have some solo plans still. I still have a contract with a major label (Warner] for a couple of solo albums.”

In January 2011, Henley commenced work on a solo album of country covers featuring special guests. Ronnie Dunn from Brooks & Dunn and Alison Krauss have recorded a song with Henley for the album.

(via Wikipedia)