Phil Collins

Full Name: Phillip David Charles Collins
Born: 30-Jan1951
Birthplace: London, England
Gender: Male
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Singer/Songwriter, Drummer
Nationality: England
Notable: Lead singer of Genesis
Official Website: http://www.philcollins.co.uk/

Philip David CharlesPhilCollins, LVO (born 30 January 1951) is an English singer-songwriter, drummer, pianist and actor best known as a drummer and vocalist for British progressive rock group Genesis, Brand X, a solo artist, producer (Eric Clapton, John Martyn, Adam Ant, Howard Jones, Frida, Robert Plant etc.), author and session musician.

Wife: Andrea Bertorelli (m. 1976, div. 1980, one daughter, one son)
Daughter: Joely Collins (b. 8-Aug-1972, adopted by Collins)
Son: Simon (b. 14-Sep-1976)
Wife: Jill Tavelman (m. 1984, div. 1996, one daughter)
Daughter: Lily Collins [Pictured] (actress, b. 18-Mar-1990)
Wife: Orianne Cevey (m. 1999, separated 2006, two sons)
Son: Nicholas (b. 21-Apr-2001)
Son: Matthew (b. 1-Dec-2004)
Girlfriend: Dana Tyler (CBS news presenter, together since 2007)

University: Barbara Speake Stage School (acting school)

Genesis Drummer/Vocalist (1970-91)
Brand X Drummer (1974-77 and 1979-82)
Songwriters Hall of Fame
Endorsement of Anheuser-Busch Michelob Miracle Tour (1987)
Risk Factors: Depression

FILMOGRAPHY AS ACTOR
The Jungle Book 2 (5-Feb-2003) [VOICE] Balto (22-Dec-1995) [VOICE] Frauds (16-Sep-1993)
And the Band Played On (11-Sep-1993)
It’s the Monty Python Story (1993) · Himself
Hook (11-Dec-1991)
Buster (3-Nov-1988) · Buster
Live Aid (13-Jul-1985) · Himself
The Secret Policeman’s Other Ball (21-May-1982) · Himself

Collins sang the lead vocals on several chart hits in the United Kingdom and the United States between 1975 and 2010, either as a solo artist or with Genesis. His singles, sometimes dealing with lost love, ranged from the drum-heavy “In the Air Tonight”, dance pop of “Sussudio”, piano-driven “Against All Odds”, to the political statements of “Another Day in Paradise”.

Collins’ professional music career began as a drummer, first with Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: “For Absent Friends” from 1971’s Nursery Cryme album and “More Fool Me” from Selling England by the Pound, which was released in 1973. Following Gabriel’s departure in 1975, Collins became the group’s lead singer.

His solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins’ total worldwide sales as a solo artist, as of 2000, were 150 million. Collins has won numerous music awards throughout his career, including seven Grammy Awards, five Brit Awards—winning Best British Male three times, an Academy Award, and two Golden Globes for his solo work. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

Collins is one of only three recording artists (along with Paul McCartney and Michael Jackson) who have sold over 100 million albums worldwide both as solo artists and (separately) as principal members of a band. When his work with Genesis, his work with other artists, as well as his solo career is totalled, Collins had more top 40 hits on the Billboard Hot 100 chart during the 1980s than any other artist. In 2008, Collins was ranked the 22nd most successful artist on the “The Billboard Hot 100 Top All-Time Artists

In October 2009, it was reported that Collins was to record a Motown covers album. He told a German newspaper, “I want the songs to sound exactly like the originals”, and that the album would feature up to 30 songs. In January 2010, Chester Thompson said that the album had been completed and would be released some time soon. He also revealed that Collins managed to play the drums on the album despite the adverse effects of his recent spinal operation. It was the first solo album Collins had recorded which consisted entirely of songs written by other people.

Going Back was released on 13 September 2010, entering the UK charts at number 4, rising to number one the following week. In early summer 2010, Collins played six concerts entirely dedicated to the music from Going Back. These included a special programme, Phil Collins: One Night Only, which was broadcast on ITV1 on 18 September 2010.

As of January 2011, Collins has spent 1,730 weeks in German music charts – 766 weeks of them with Genesis albums and singles and 964 weeks with solo releases.

Citing health problems and other concerns, Collins announced on 4 March 2011 that he was taking time off from his career, prompting widespread reports of his retirement. Days later, on 7 March, his UK representative told the press, “He is not, has no intention of, retiring.” However, later that day, Collins posted a message to his fans on his own website, confirming his intention to retire in order to focus on his family life.

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In loving memory of Spencer  1969 2000


Smokey Robinson

William “Smokey” Robinson, Jr. is an American R&B singer-songwriter, record producer, and former record executive. Robinson is one of the primary figures associated with Motown, second only to the company’s founder, Berry Gordy. Robinson’s consistent commercial success and creative contributions to the label have earned him the title “King of Motown.” As an original member of Motown Records’ first vocal group The Miracles and as a solo artist, Robinson delivered many U.S. and U.K. Top 40 hits for Motown between 1960 and 1987. He also served as the company’s vice president from 1961 to 1988. He is currently married to Frances Robinson. Robinson was born and raised in the North End neighborhood of Detroit, Michigan.

William Robinson, Jr.
Born: February 19, 1940
Birthplace: Detroit, MI
Gender: Male
Race or Ethnicity: Black
Sexual orientation: Straight
Occupation: Singer/Songwriter
Nationality: United States
Father: William Robinson (truck driver)
Sister: Geraldine Burston
Sister: Rose Ella Jones (songwriter, “Aunt Woody”, b. circa 1928, d. April 26, 2010)
Wife: Claudette Rogers (singer, The Miracles, m. November 7th, 1959, div. 1986)
Son: Berry Williams
Daughter: Tamla Claudette
Girlfriend: Diana Ross
Wife: Frances Glandney (m. May-2002)

High School: Northern High School, Detroit, MI (1957)

CareerHighlights

The Miracles 1955-65
Smokey Robinson and the Miracles 1965-72
National Medal of Arts 2002
Rock and Roll Hall of Fame 1987
Songwriters Hall of Fame 1990
Grammy Best R&B Vocal Performance, Male, for Just To See Her (1987)
Grammy Lifetime Achievement Award (1990)
Grammy Hall of Fame Award, for Tears Of A Clown (with Smokey Robinson and the Miracles) (2002)
Risk Factors: Cocaine, MarijuanaFILMOGRAPHY AS ACTOR
Rejoice and Shout (30-May-2011) · Himself
Last Holiday (13-Jan-2006) · Himself
Hollywood Homicide (10-Jun-2003) · Cabbie
The Temptations (1-Nov-1998) · Himself
We Are the World (28-Jan-1985) · Himself
The T.A.M.I. Show (29-Dec-1964) · HimselfAuthor of books:
Smokey: Inside My Life (1988, autobiography)

According to Entertainment Weekly, “when he was 6 or 7, his Uncle Claude christened him “Smokey Joe,” which the young William, a Western-movie enthusiast, at first assumed to be “his cowboy name for me.” Some time later, he learned the deeper significance of his nickname: It derived from smokey, a pejorative term for dark-skinned blacks. “I’m doing this,” his uncle told the light-skinned boy, “so you won’t ever forget that you’re black.”

In his teens, “Smokey Joe” was shortened to “Smokey.” In an interview, Robinson stated that he has been friends with fellow Motown artist Diana Ross since she was eight years old. Around this time Robinson began listening to Nolan Strong & The Diablos, a Fortune Records recording artist. Strong’s high tenor voice would be a primary influence on Robinson. In a 2008 interview with Goldmine, Robinson said: “There was a guy who lived in Detroit and had a group called The Diablos. His name was Nolan Strong. They were my favorite vocalists at that time.”

Berry Gordy

In 1955, Robinson co-founded a vocal group called The Five Chimes with his best friend Ronald White, and Northern High School classmates Pete Moore, Clarence Dawson, and James Grice. By 1957, the group was renamed the Matadors and included cousins Emerson and Bobby Rogers in place of Dawson and Grice. Emerson was replaced by his sister Claudette Rogers.Guitarist Marv Tarplin joined the group in 1958. With Robinson as lead singer, the Matadors began touring Detroit venues.

After finishing high school Robinson made plans to attend college, with his studies to begin in January 1959. However, in August 1958, Robinson met songwriter Berry Gordy and, as he awaited his enrollment in school, Robinson pursued his musical career with Gordy, who co-wrote for the Miracles the single “Got a Job,” an answer song to the Silhouettes’ hit single “Get a Job.” The group renamed itself the Miracles, and began recording with Gordy on the End Records label in November 1958.

Robinson has said that he did, in fact, enroll in college and began classes that January, studying electrical engineering. However, The Miracles’ first record was released a few weeks later and Robinson left school shortly thereafter, his college career having lasted approximately two months.

The Miracles would go on to issue singles on both End Records and Chess Records, and Robinson suggested to Gordy that he start a label of his own.

In 1959, Gordy founded Tamla Records, which he soon reincorporated as Motown. The Miracles were among the label’s first signees. Gordy and Robinson had a synergistic relationship, with Robinson providing a foundation for Motown’s hit-making success and Gordy acting as a mentor for the budding singer and songwriter. By 1961, Gordy had appointed Robinson vice-president of Motown Records, a title Robinson held for as long as Gordy remained with the company.

The 1960 single “Shop Around” was not only Motown’s first number one hit on the R&B singles chart, but the first major chart success for The Miracles. The song was also Motown’s first million-selling hit single, and reached # 1 on the Cash Box Magazine Pop Chart.

Besides creating hits for his own group, Robinson wrote and produced singles and album tracks for other Motown artists. Mary Wells had a number one hit with Robinson’s song “My Guy” (1964), and Robinson served as The Temptations’ primary songwriter and producer from 1963 to 1966, penning such hits as “The Way You Do the Things You Do”, “My Girl”, “Since I Lost My Baby”, and “Get Ready”. Among Robinson’s other Motown compositions are “Still Water (Love)” by The Four Tops, “Don’t Mess With Bill” and “My Baby Must Be a Magician” by The Marvelettes, “When I’m Gone” by Brenda Holloway, “Ain’t That Peculiar” and “I’ll Be Doggone” by Marvin Gaye, and “First I Look at the Purse” by The Contours.

His hit songs also earned him the title “America’s poet laureate of love.” During the course of his 50-year career in music, Robinson has accumulated more than 4,000 songs to his credit. John Lennon of The Beatles made countless remarks regarding Robinson’s influence on his music. In a 1969 interview, Lennon stated that one of his favorite songs was The Miracles’ “I’ve Been Good To You”, which has similar lyrics to Lennon’s “Sexy Sadie”. George Harrison also greatly admired Robinson and paid tribute to him in the 1976 song “Pure Smokey”. Additionally, “Ooh Baby (You Know That I Love You)” from Harrison’s Extra Texture (Read All About It) was dedicated to Robinson. (The Beatles had recorded Robinson and The Miracles’ “You’ve Really Got A Hold On Me” in 1963.) The Miracles remained a premier Motown act through most of the 1960s. The group’s billing was changed to “Smokey Robinson & the Miracles” after 1966. By 1969, the group’s fortunes began to falter, and Robinson decided to quit The Miracles so that he could remain at home with his family and concentrate on his duties as vice president. The group stopped recording and Robinson prepared to leave the group. Unexpectedly, however, their 1969 recording “Baby, Baby Don’t Cry” hit the national Billboard Pop Top 10, and when their 1967 recording of “The Tears of a Clown” was released as a single in 1970, it became a number-one hit in both the United States and the United Kingdom.

With the surprise success of “The Tears of a Clown”, Robinson chose to remain with The Miracles for a few more years. In 1972, however, he followed through on his original plans to leave the group, and The Miracles began a six-month farewell tour. On July 16, 1972, Smokey Robinson gave his final performance as a Miracle at the Carter Barron Amphitheater in Washington, D.C., and Robinson introduced the group’s new lead singer, Billy Griffin. The Miracles went on for a while, even having another million-seller with “Do It Baby”* (1974), a multi-million selling number one hit, “Love Machine”, in 1975, and a Platinum Album with City Of Angels that same year. (Reference: The Book Of Golden Discs- by Joseph Murrells) *

Smokey Robinson began a low-key solo career while concentrating on his duties as vice president of Motown, releasing his first solo LP, Smokey, in 1973. His first hit single, “Sweet Harmony” (1973), was dedicated to The Miracles.

In 1975, Robinson’s solo career took off with the success of the number one R&B hit “Baby That’s Backatcha”. Robinson’s 1976 single “Quiet Storm” and its accompanying album typified a genre of smooth, slow R&B that has spawned late-night radio shows called “quiet storm”. Other Robinson solo hits include “Cruisin'” (1979), “Being With You” (a global chart-topper in 1981), “Tell Me Tomorrow” (1982), and “Ebony Eyes”, a duet with labelmate Rick James (1983). He also recorded the soundtrack to the film Big Time (1977).

During the mid-1980s, Robinson was addicted to cocaine and his recording slowed. With the help of friend Leon Kennedy (as described in Robinson’s autobiography Smokey published in 1989), Robinson was dramatically healed of his addiction at a religious service. He eventually revitalized his career, having hits in 1987 with the Grammy Award-winning “Just to See Her” (which topped the Pop, R&B, and Adult Contemporary charts in 1987) and “One Heartbeat” (Top Ten Pop, R&B, and A/C). Also in 1987, British band ABC scored a U.S. and U.K. hit with their tribute to Robinson entitled “When Smokey Sings”. In 1987, Robinson was inducted into the Rock and Roll Hall of Fame as a solo artist. Controversially, the other original members of the Miracles – Bobby Rogers, Ronnie White, Pete Moore, Marv Tarplin, and Claudette Rogers – were not inducted.

When Motown was sold to MCA in 1988, Robinson resigned from his position as vice president. After one last album for Motown, Love, Smokey (1990), Robinson left the label. He released one record for SBK Records, Double Good Everything (1991), the same year he won a Soul Train Music Award for Career Achievement. Eight years later, he returned to Motown, which by then was a subsidiary of Universal Music Group, and released Intimate (1999). The same year, Smokey Robinson received the Grammy Lifetime Achievement Award. In 2002, he was awarded the National Medal of Arts.

Since then, Smokey has continued to perform and tour periodically. In 2003, Robinson served as a guest judge for American Idol during “Billy Joel Week.” He issued a gospel LP, Food for the Spirit in 2004. In 2005, Smokey Robinson was inducted into the Michigan Rock and Roll Legends Hall of Fame. A new album of pop standards from the early 20th century, Timeless Love, was released in June 2006. It was originally recorded with a jazz combo, but strings were added after the fact, giving the album more of a lush sound but removing much of the jazz feeling of the disc.

In 2004, Robinson’s company, SFGL Foods, launched a special brand of gumbo called “Smokey Robinson’s ‘The Soul is in the Bowl’ Gumbo”. Smokey Robinson is the spokesman of the Great American Smokeout, which takes place annually one week before Thanksgiving. It is a day when smokers quit smoking for at least a day.

Robinson has appeared on Friday Night with Jonathan Ross, the NBC daytime drama Days of our Lives, and on The Rachael Ray Show. He also appeared on Duets on Fox-TV along with Richard Marx, Aaron Neville, Cyndi Lauper, Chaka Khan, Patti Labelle, Kenny Loggins, Clint Black, Brian McKnight, Michael Bolton, Macy Gray, Randy Travis, and the legendary Dionne Warwick. Producer David Foster was a judge.

At its 138th Commencement Convocation in May 2006, Howard University conferred on Robinson the degree of Doctor of Music, honoris causa. In December 2006 Robinson was one of five Kennedy Center honorees, along with Dolly Parton (with whom Robinson had recorded a 1987 duet, “I Know You By Heart”), Zubin Mehta, Steven Spielberg and Andrew Lloyd Webber. The ceremony was held on December 3, 2006, and broadcast on CBS on December 26, 2006.

Smokey

Robinson sang “The Tracks Of My Tears” as a cameo in the 2006 film Last Holiday. Also in late 2006, Robinson reunited with fellow Miracles Bobby Rogers and Pete Moore for the group’s first extended interview. This interview forms the basis of the Universal Music DVD release Smokey Robinson and The Miracles: The Definitive Performances, a video retrospective of the group’s music and career.

On February 11, 2007 Robinson sang “Tracks Of My Tears” at the 49th annual Grammy Awards, as part of a tribute to R&B music which included Motown labelmate Lionel Richie and current R&B star Chris Brown. Robinson was also a judge on the sixth season of American Idol and was claimed to be outdone by contestant Adam Lambert after Lambert sang “Tracks of My Tears.” on Robinson performed on the sixth season finale of American Idol on May 23, 2007. Robinson and the top six male contestants performed a medley of his hits.

In November 2007, Robinson toured Australia and performed with Australian band Human Nature on the set of local television programme Dancing With The Stars. On 22 November 2007, Robinson was interviewed by Bob Rogers on Sydney radio station 2CH.

On August 6, 2008, Robinson appeared at Harlem’s Apollo Theater with English singer-songwriter Elvis Costello to record a television special combining on-stage interview and performance segments.

On March 25, 2009, Robinson appeared as a mentor on the popular television show American Idol. He coached the top 10 contestants of Season 8, who performed classic Motown songs. He also premiered the first single, “You’re the One For Me”, which features Joss Stone. The song also became available on iTunes and Amazon, March 26, 2009. The song is an updated version of the song “You’re The One For Me Bobby,” which he wrote and produced for The Marvelettes in 1968 for their album “Sophisticated Soul.” On March 20, 2009, The Miracles were finally honored as a group with a star on the Hollywood Walk of Fame. Smokey was present with original Miracles members Bobby Rogers, Pete Moore, (Bobby’s cousin) Claudette Rogers, and Gloria White, accepting for her husband, the late Ronnie White, whose daughter Pamela and granddaughter Maya were there representing him as well. Smokey’s replacement, 1970s Miracles lead singer, Billy Griffin was also honored. Controversially, original Miracle Marv Tarplin was not honored, against the wishes of his fellow Miracles, and the group’s fans, who felt that he should have also been there to share the honor.

On May 9, 2009, Smokey Robinson received an honorary doctorate degree and gave a commencement speech at Berklee College of Music’s commencement ceremony.

Smokey Robinson appeared in episode 22 with Daryl Hall on Live From Daryl’s House.


On August 25, 2009 Robinson released Time Flies When You’re Having Fun. A self-produced-and-written CD of mostly new material on his own RobSo label. The CD includes a cover of the Norah Jones hit “Don’t Know Why”. Special guests on the LP include India Arie, Carlos Santana, and Joss Stone. The Joss Stone duet “You’re the one for me” was performed on American Idol. The CD also contains a homage to early Motown and Michael Jackson with the hidden bonus track “I Want You Back.”

As the finale to the BBC Electric Proms 2009, Robinson and his band appeared on 24 October with the BBC Concert Orchestra at The Roundhouse, London, in a performance to celebrate the 50th anniversary of the birth of Motown Records. Brand new arrangements of Robinson’s songs had been specially commissioned by the Electric Proms. The show saw him perform a mix of classics, including those written for other Motown artists as well as himself, and new material from his forthcoming ‘Time Flies When You’re Having Fun’ album. While in the UK Robinson also appeared on Later with Jools Holland (Oct 20), giving a short interview and performing two songs, with Eric Clapton as a backing guitarist (according to Jools Holland during the broadcast, this was at Clapton’s request when he heard that Robinson would be appearing).

 


Carlos Santana

Oye Como Va

 

Black Magic Woman

 

Soul Sacrifice

 

Europa

 

Angel (ft. Sarah McLachlan)

 

Smooth (Featuring Rob Thomas)

 

Cry Baby Cry (ft Sean Paul & Joss Stone)

 

The Game of Love (ft. Michelle Branch)

 

Samba Pa Ti (Live at The House of Blues 2016)

 

Jin Go Lo Ba wEric Clapton (Crossroad 2004, Live)

 

Maria Maria (Official Video) ft. The Product G&B

 

Full Concert 08/18/1970 Tanglewood-Lennox, MA


Orleans

Orleans’ best album is arguably “Waking And Dreaming”. The album was written almost entirely by John Hall and his then wife Johanna. The exceptions being; “The Bum” (Wells Kelly) and “Spring Fever” (Larry Hoppen, Marilyn Mason). The lineup for this album consisted of members:

John Hall – Guitars, Vocals
Larry Hoppen – Guitars, Keyboards, Vocals
Lance Hoppen – Bass, Vocals
Wells Kelly -Drums, Percussion, Piano, Vocals
Jerry Marotta – Drums, Percussion, Vocals
http://www.orleansonline.com/

Larry Hoppen, lead singer, songwriter and multi Instrumentalist of the soft rock group Orleans, passed away on July 24th, 2012. Hoppen, who’s brothers Lance and Lane were members of the group was 61. A distinctive, high ranged voice that blended well with the groups harmonies, Hoppen was the signature voice in the band. Following is a telephone interview with Larry from 2010:

Larry Hoppen also performed and/or recorded with Jackson Browne, Bonnie Raitt, Livingston Taylor, Lulu, Graham Parker, Blues Traveler, Ricky Skaggs, Steve Wariner, Michael Franks, Levon Helm, the late great Michael Brecker, the late great Chet Atkins, the late great Artie Traum, John Sebastian, Bela Fleck, Felix Cavaliere, Edgar Winter, Robbie Dupree, Spencer Davis, Rick Derringer, Mark Farner, John  Ford Coley, Jimi Jamison, John Cafferty to name a few.\

Orleans is an American pop-rock band best known for its hits “Dance with Me” (1975), “Still the One”, from the album Waking and Dreaming (1976) and “Love Takes Time” (1979). The group’s name evolved from the music it was playing at the time of their formation, which was inspired by Louisiana artists such as Allen Toussaint and the Neville Brothers. Orleans was formed in Woodstock, New York in January 1972 by vocalist/guitarist/songwriter John Hall, vocalist/guitarist Larry Hoppen and drummer/percussionist Wells Kelly. In October of that year, the group expanded to include Larry’s younger brother, Lance, on bass. Drummer Jerry Marotta joined in 1976, completing the quintet.

Drummer Wells Kelly first met John Hall, an in-demand session player and member of the group Kangaroo, in the late 60s when he played with him in a group called Thunderfrog and later played on John’s first solo album, Action, released in 1970. In 1969 Wells joined the first incarnation of a band called King Harvest, who would have a hit a few years later, in 1973, with the song “Dancing In The Moonlight”, a song written by Wells’ brother, Sherman Kelly, and first recorded by Boffalongo, a group Wells joined in 1970 after leaving King Harvest.

Hall and his wife, Johanna, had just gained notoriety when their song “Half Moon” had appeared on their friend Janis Joplin’s posthumous album Pearl. Larry Hoppen, who grew up in Bayshore, Long Island but relocated to Ithaca, NY to attend college in the late 60s, was also a member of Boffalongo with Kelly. In December 1971, Wells was asked by Hall to move to Woodstock to join his band. John Hall, who had recorded and toured with Taj Mahal and Seals and Crofts, at the request of producer/pianist John Simon, had decided to relocate there to be close to Bearsville Studios and the musical scene there.

After a swing through Europe playing guitar behind Karen Dalton on a Santana tour, Hall decided to start his own band in Woodstock. After months of playing the Cafe Expresso with different rhythm sections, Hall called his old friend Wells Kelly (son of Cornell’s Dean of Architecture) in Ithaca and asked him to join his group. Multi-instrumentalist Kelly accepted the offer on the condition that he play piano. For a brief time, the band consisted of Roy Markowitz on drums, Bill Gelber on bass, and Kelly on electric piano. When Markowitz and Gelber left the band, Wells told John about his former bandmate from the Ithaca-based Boffalongo. Hall encouraged Kelly to call Larry Hoppen, who accepted the invitation to join the new group, christened Orleans by Wells, in late January 1972 and for months they would play as a trio, often switching instruments during the show.

Larry’s 17 year old brother, Lance Hoppen, was brought into Orleans around Halloween 1972 to play bass, freeing up Larry to play more guitar and keyboards.

Orleans found its core audience touring the clubs and college circuit of the northeastern United States, crossing paths with other up-and-comers such as Bonnie Raitt, Tom Waits and Hall & Oates. Rolling Stone magazine called Orleans “the best unrecorded band in America”. Showcase performances in New York gave rise to a recording contract with ABC Dunhill Records and the release of the eponymous debut album in 1973, which had been recorded in Muscle Shoals, Alabama with producers Roger Hawkins and Barry Beckett at the helm.

The group’s second record, Orleans II, recorded at Bearsville Studios, was originally released in Japan and Europe in 1974 but ABC declined to release it in the US since they felt there were “no hit singles” on the album and dropped them from the label. Orleans II was finally put out in America in 1978, combined with the first album, as a double LP called Before the Dance. It was also released as a CD in Japan in the 1990s under its originally slated title Dance With Me.

However, it was not until Orleans was heard at Max’s Kansas City, then produced, by Chuck Plotkin, then head of A&R for Asylum Records, that the band scored its first Billboard Hot 100 charting with “Let There Be Music”(#55), taken from their third album, Let There Be Music, released in March 1975.

The follow-up single, “Dance With Me” (reshaped and re-recorded from Orleans II with Plotkin at the helm), brought Orleans to No. 6 on the pop charts and into the mainstream of American pop music. Atypical of the high-energy, earthy, R&B/Rock n’ Roll mix of styles they had been previously identified with, “Dance With Me” cast the band in a more “soft-rock” light and landed them a tour with Melissa Manchester.

While recording their next album, Waking and Dreaming, in the spring of 1976, the group was joined by second drummer Jerry Marotta, freeing Wells Kelly up to sing more and play keyboards.

It was the smash hit “Still the One”, from Dreaming (released in August 1976), that cemented Orleans’ relationship with the American public. While the single was climbing the charts to a peak position of No. 5, the band did a major cross-country tour with label-mate Jackson Browne.

In early 1977, however, internal stresses and disagreements over material and musical direction prompted guitarist/songwriter Hall to announce his intention to leave the band in search of a solo career. “Still the One” was chosen as the theme song for the ABC television network (the parent of ABC Records). Since then, it has been used for numerous commercials and movie soundtracks. The follow-up, “Reach”, peaked at No. 51 in March 1977 and Hall left the band in June 1977 after touring commitments were satisfied. Marotta departed not long afterwards to join Hall and Oates and eventually moved on to Peter Gabriel’s band.

After several months of mulling things over and working with other musicians (Larry joined Jerry Marotta in the backing band for Garland Jeffreys while Kelly worked with the Beach Boys), the Hoppen brothers and Kelly decided to continue on in late 1977, bringing in new members R. A. Martin (vocals, sax, horns, keyboards) and Connecticut musician Bob Leinbach (vocals, keyboards, trombone), who’d played with Larry Hoppen during the Ithaca years and had completed a stint with the group The Fabulous Rhinestones. The new lineup signed a contract with the Infinity Records label and their debut there, Forever (April 1979), produced the No. 11 hit “Love Takes Time”. In 1979 Orleans continued to tour with artists such as Stephen Stills and Chicago. Collectively, the three Orleans’ hits have been aired over 7 million times.

In 1980 Infinity went bankrupt after a proposed deal to record an album with Pope John Paul II (who was on a tour of the US in the fall of ’79) fell through. Infinity was absorbed into MCA Records, who failed to promote their next album, simply titled Orleans. This last, recorded in Woodstock, featured only the Hoppens and Wells Kelly as Orleans since the others had left earlier in the year. Nonetheless, the album featured guest appearances from all past members, including John Hall, who was in the process of forming the John Hall Band with Leinbach as a member. Orleans was produced by Englishman Robin Lumley, mixed at Trident Studios in London and featured Lumley’s friend, Phil Collins, contributing backing vocals to a track.

After their 1980 release, the group added Dennis “Fly” Amero (guitars, vocals), keyboardist Lane Hoppen (brother of Larry and Lance) and drummer Charlie Shew (at that time going under the pseudonym Eric Charles) to play alongside Wells Kelly then replace him when he left by early 1981 to relocate to NYC.

Orleans then signed with the fledgling Radio Records and recorded their next album, One of a Kind, in Fort Lauderdale, Florida in the summer of ’82. The album (released in September 1982) included brand new band member Michael Mugrage replacing Amero on guitar at the request of the album’s producers Don Silver and Ben Wisch. Jerry Marotta briefly rejoined the band to play on the album but was replaced by drummer Nicholas Parker after its release. But Radio, likewise, went bankrupt just as One of a Kind was hitting the record store shelves.

Now without a record label, Orleans struggled in the early 80s, playing mostly small clubs in the Northeast and at this same time, Larry and Lance formed a side group, Mood Ring, with Bob Leinbach, Nicholas Parker, singer/songwriter Robbie Dupree (of “Steal Away” fame) and various others who drifted in and out, to play for fun, mostly at parties and clubs. Mood Ring played some club dates in 1984 billed as Robbie Dupree and Orleans (As of the late 2000s, Mood Ring have reconvened to do occasional concert dates).

But after a tough two-week stint in Bermuda in July 1984, Larry lost his voice one day into the gig due to a combination of air-conditioning and high humidity. After this, he returned to his home in Woodstock and decided to take some time off to allow his voice to heal.

In the meantime, Kelly went on to join Steve Forbert’s Flying Squirrels in 1981 and also played with Clarence Clemons and the Red Bank Rockers before joining Meat Loaf’s Neverland Express in 1983. While on tour in England with Meat Loaf, Wells was found dead on the front stairs of a London flat he was staying at on the morning of October 29, 1984, after a night of too much partying.

Wells Kelly’s untimely death was the catalyst for a reunion of Hall and the Hoppen brothers. John and Bob Leinbach joined Larry up in Ithaca to play at a memorial for Wells (Lance had been unable to make the wake due to another commitment). Then in 1985, through the Halls’ connections in Nashville, the reunited lineup of John Hall, Larry Hoppen, Lance Hoppen and Bob Leinbach relocated there and by 1986 Orleans had cut the Grownup Children album, with guest appearances from heavyweights like Chet Atkins, Ricky Skaggs, Steve Wariner and Bela Fleck, under the direction of famed Nashville producer/MCA label chief Tony Brown. During their Nashville period, the band added bassist Glen Worf and drummer Paul Cook (who was eventually replaced by Tommy Wells) for concert dates.

By 1988, John and Larry began to realize that, while Nashville was a great place for them as songwriters, it was not so accommodating to Orleans’ career as a band. They decided to relocate their activities back to Woodstock, NY and brought in New York native Peter O’Brien on drums. Lance decided to stay in Nashville to work on sessions and writing and was no longer available for all Orleans’ gigs, so bassist Jim Curtin joined to be Lance’s sub, as needed, between 1989 and 1994.

Orleans slowly re-established their presence in the Northeast over the next couple of years. In 1990 Robbie Dupree approached them to make a live album, mostly for their growing fan base in Japan. Two shows at Woodstock’s Bearsville Theater were recorded, as the group was joined by Lance, Bob Leinbach, Paul Branin (sax, guitar) and special guests: Rob Leon, John Sebastian and Jonell Mosser.

The double Orleans Live CD set came out in Japan in February 1991, followed in April by their first trip to perform in Japan (with a lineup of John, Larry, Lance, Leinbach, O’Brien and Paul Branin). 1993 saw the American release of Orleans Live: Volume 1, a single disc CD version and the first release on the band’s own Major Records label. Live Volume 2, featuring the rest of the show, was soon to follow.

Still without a “traditional” label in the USA, Orleans recorded a new album, Analog Men, for the Japanese label Pioneer. It came out there in 1994 and was followed by a return to Japan for more shows. Later that year, Orleans played at Woodstock 94, which was right in their backyard, in Saugerties, NY. Bob Leinbach once again rejoined the group for this show and continues to make occasional guest appearances with them.

The following year found them touring as an acoustic trio (John, Larry and Lance). While most of the venues were small listening clubs, the real highlight of ’95 was being the opening act on the Can’t Stop Rockin tour with Fleetwood Mac, REO Speedwagon and Pat Benatar.

Yet another new album, Ride, was recorded at John’s Saugerties studio and released through an independent label, Dinosaur Entertainment, out of New Orleans. Ride emerged in the summer of 1996 and included just a couple of reworkings of the best and still unheard-in-the-US tunes from Analog Men. The single “I Am On Your Side” even began to make its way up the charts, but the label proved inexperienced and it folded shortly afterward, killing the song’s chances for more radio play.

Orleans continued on, but in late 1997, decided to take a break. John and Lance were spending more and more time in Nashville doing sessions and touring with various Nashville-based artists and Larry, who’d remarried and started a family, relocated to Florida in 2000 and formed his own Larry Hoppen Band. Since 1997 Larry has also been involved with Voices of Classic Rock, who since 2003 have been known as RPM (Rock & Pop Masters), a touring, constantly shifting, group of lead singers of popular 70s/80s groups (Toto, Survivor, Santana, Rainbow, etc.).

In the summer of 2001, nearly four years after their last gig, Orleans (John Hall, Larry, Lance and Peter O’Brien, with Bob Leinbach guesting) reunited on Labor Day weekend to play the Opus 40 Amphitheatre in Saugerties. After this, the band decided to remain together and continue on.

In 2003, having subbed gigs for Peter O’Brien the previous year, Charlie Morgan (ex-Elton John) became their new drummer and brother Lane Hoppen rejoined the band on keyboards after nineteen years.

Orleans continued to play live and record. Their latest studio album, Dancin’ in the Moonlight, was released in late 2005. The current lineup includes Larry, Lance and Lane Hoppen, Charlie Morgan and the returning Dennis “Fly” Amero (who replaced John Hall when he began his campaign for Congress in 2006) on guitar.


Karen Carpenter

Born: March 2nd, 1950
Birthplace: New Haven, CT
Died: February 4th, 1983
Location of death: Downey, CA
Cause of death: Anorexia
Remains: Buried, Pierce Brothers Valley Oaks Memorial Park, Westlake Village, CA
Gender: Female
Religion: Methodist
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Singer, Drummer

Father: Harold Carpenter (d. 1988)
Mother: Agnes Carpenter (d. 1996)
Brother: Richard Carpenter
Husband: Thomas James Burris (m. 30-Aug-1980, div. 1982)
Official Website:
http://www.richardandkarencarpenter.com/

Karen Anne Carpenter (March 2, 1950 – February 4, 1983) was an American singer and drummer. She and her brother, Richard, formed the 1970s duo The Carpenters. She was a drummer of exceptional skill, but she is best remembered for her vocal performances of idealistic romantic ballads of true love. The Carpenters signature song is “We’ve Only Just Begun” which remains a popular wedding ballad. She suffered from anorexia nervosa, an eating disorder of extreme weight loss dieting, which was a little-known illness at the time. Although she had begun recovery with a doctor supervised program and regained 30 lbs (14 kg), permanent damage to her body had been sustained from the years of extreme weight loss dieting and she died at the age of 32. Her death was attributed to heart failure, from complications related to her illness, which caused her to believe mistakenly that she needed to lose weight.

Karen Carpenter was born in New Haven, Connecticut, to Agnes Reuwer Tatum and Harold Bertram Carpenter. When she was young, she enjoyed playing baseball with other children on the street. On the TV program This Is Your Life, Carpenter stated that she liked pitching. In the early 1970s, she went on to play as the pitcher on the Carpenters’ official softball team. Karen’s brother, Richard, had developed an interest in music at an early age, becoming a piano prodigy. Karen showed less interest in music as a young child. The family moved in June 1963 to the Los Angeles suburb of Downey.

When Karen entered Downey High School, she joined the school band. The conductor (who had previously taught her older brother) gave her the glockenspiel, an instrument she disliked. After admiring the performance of a friend named Frankie Chavez, she asked the conductor if she could play the drums instead. She and Richard made their first recordings in 1965 and 1966. The following year, Karen began dieting. Under a doctor’s guidance, Karen, who stood 5’5″ (165 cm) and weighed 145 pounds (66 kg), went on the Stillman Diet. She rigorously ate lean foods, drank 8 glasses of water a day, and avoided fatty foods. By September 1975, Karen’s weight dropped to 91 pounds (41 kg).

From 1965 to 1968, Karen, her brother Richard, and his college friend Wes Jacobs, a bassist and tuba player, formed The Richard Carpenter Trio. The band played jazz at numerous nightclubs and also appeared on a TV talent show called Your All-American College Show. Karen, Richard, and other musicians, including Gary Sims and John Bettis, also performed as an ensemble known as Spectrum. Spectrum focused on a harmonious and vocal sound, and recorded many demo tapes in the garage studio of friend and bassist Joe Osborn. Many of those tapes were rejected. According to former Carpenters member John Bettis, those rejections “took their toll.” The tapes of the original sessions were lost in a fire at Joe Osborn’s house, and the surviving versions of those early songs exist as acetate pressings. Finally, in April 1969, A&M Records signed the Carpenters to a recording contract. Karen Carpenter sang most of the songs on the band’s first album, Offering (later retitled Ticket to Ride). The issued single (later the title track), which was a cover of a Beatles song, became their first single; it reached #54 on the Billboard Hot 100 Charts. Their next album, 1970’s Close to You, featured two massive hit singles: “(They Long to Be) Close to You” and “We’ve Only Just Begun.” They peaked at #1 and #2, respectively, on the Hot 100.

Karen CarpenterKaren Carpenter started out as both the group’s drummer and lead singer, and she originally sang all her vocals from behind the drum set. Eventually, she was persuaded to stand at the microphone to sing the band’s hits while another musician played the drums, although she still did some drumming. (Former Disney Mouseketeer Cubby O’Brien served as the band’s other drummer for many years.) After the release of Now & Then in 1973, the albums tended to have Karen singing more and drumming less. Karen rarely selected the songs she would sing and often felt she had very little control over her life. She dieted obsessively and developed anorexia nervosa. At the same time, her brother Richard developed an addiction to Quaaludes. The Carpenters frequently canceled tour dates, and they stopped touring altogether after their September 4, 1978, concert at the MGM Grand in Las Vegas. In 1981, after the release of the Made in America album (which turned out to be their last), the Carpenters returned to the stage and did some tour dates, including their final live performance in Brazil.

Karen’s drumming was praised by fellow drummers Hal Blaine, Cubby O’Brien, Buddy Rich and by Modern Drummer magazine. According to Richard Carpenter in an interview, Karen always considered herself a “drummer who sang.” Carpenter started playing the drums in 1964. She was always enthusiastic about the drums and taught herself how to play complicated drum lines with “exotic time signatures,” according to Richard Carpenter.

1979, Richard Carpenter took a year off to cure a dependency on Quaaludes, and Karen decided to make a solo album with producer Phil Ramone. Her solo work was markedly different from usual Carpenters fare, consisting of adult-oriented and disco/dance-tempo material with more sexual lyrics and the use of Karen’s higher vocal register. The project met a tepid response from Richard and A&M executives in early 1980. The album was shelved by A&M CEO Herb Alpert, in spite of Quincy Jones’ attempts to talk Alpert into releasing the record after some tracks had been remixed. A&M made the Carpenters pay $400,000 to cover the cost of recording Karen’s unreleased solo album, which was to be charged against the duo’s future royalties. Carpenters fans got a taste of the album in 1989 when some of its tracks (as remixed by Richard) were mixed onto the album Lovelines, the final album of Carpenters’ new unreleased material. Seven years later, in 1996, the entire album, featuring mixes approved by Karen before her death and one unmixed bonus track, was finally released.

Karen lived with her parents until she was 26 years old. After the Carpenters became successful in the early 1970s, she and her brother bought two apartment buildings in Downey as a financial investment. Formerly named the “Geneva,” the two complexes were MHrenamed “Close To You” and “Only Just Begun” in honor of the duo’s first smash hits. Both apartment buildings can still be found at 8356 and 8353 (respectively) 5th Street, Downey, California. In 1976, Karen bought two Century City apartments, gutted them, and turned them into one condominium. Located at 2222 Avenue of the Stars, the doorbell chimed the first six notes of “We’ve Only Just Begun.” As a housewarming gift, her mother gave her a collection of leather-bound classic works of literature. Karen collected Disney memorabilia, loved to play softball and baseball, and listed Petula Clark, Olivia Newton-John and Dionne Warwick among her closest friends.

Karen dated a number of well-known men, including Mike Curb, Tony Danza, Mark Harmon, Steve Martin and Alan Osmond. After a whirlwind romance, Karen married real estate developer Thomas James Burris on August 31, 1980, in the Crystal Room of the Beverly Hills Hotel. Burris, divorced with an 18-year-old son, was nine years her senior. A new song performed by Karen at the ceremony, “Because We Are In Love,” was released in 1981.

The song “Now,” recorded in April 1982, was the last song Karen Carpenter recorded. She recorded it after a two-week intermission in her therapy with psychotherapist Steven Levenkron in New York City for her anorexia, during which she had lost a considerable amount of weight. In September 1982, her treatment took a negative, downward slope of events when Carpenter called her psychotherapist to tell him she felt dizzy and that her heart was beating irregularly. She was admitted to Lenox Hill Hospital in New York and hooked up to an intravenous drip, which was the cause of her much debated 30-pound weight gain in eight weeks.

Karen Carpenter returned to California in November 1982, determined to reinvigorate her career, finalize her divorce, and begin a new album with Richard. She had gained 30 pounds over a two-month stay in New York, and the sudden weight gain (much of which was the result of intravenous feeding) further strained her heart, which was already weak from years of crash dieting. During her illness , she also took thyroid replacement medication (in order to speed up her metabolism. Ms. Carpenter had a normal thyroid and did not need the medication. She only took it to try and lose weight.) and laxatives. On December 17, 1982, she made her final public appearance in the “multi-purpose” room of the Buckley School in Sherman Oaks, California, singing for her godchildren and their classmates who attended the school. She sang Christmas carols for friends.

 

On February 4, 1983, less than a month before her 33rd birthday, Karen suffered heart failure at her parents’ home in Downey, California. She was taken to Downey Community Hospital, where she was pronounced dead twenty minutes later. The Los Angeles coroner gave the cause of death as “heartbeat irregularities brought on by chemical imbalances associated with anorexia nervosa.” Under the anatomical summary, the first item was heart failure, with anorexia as second. The third finding was cachexia, which is extremely low weight and weakness and general body decline associated with chronic disease. Her divorce was scheduled to have been finalized that day. The autopsy stated that Carpenter’s death was the result of emetine cardiotoxicity due to anorexia nervosa, revealing that Carpenter had poisoned herself with ipecac syrup, an emetic often used to induce vomiting in cases of overdosing or poisoning. Carpenter’s use of ipecac syrup was later disputed by Agnes and Richard, who both stated that they never found empty vials of ipecac in her apartment and have denied that there was any concrete evidence that Karen had been vomiting. Richard also expressed that he believes Karen was not willing to ingest ipecac syrup because of the potential damage it presented to her vocal cords and that she relied on laxatives alone to maintain her low body weight.

Her funeral service took place on February 8, 1983, at the Downey United Methodist Church. Dressed in a rose colored suit, Carpenter lay in an open white casket. Over 1,000 mourners passed through to say goodbye, among them her friends Dorothy Hamill, Olivia Newton-John, Petula Clark, and Dionne Warwick. Carpenter’s estranged husband Tom attended her funeral, where he took off his wedding ring and threw it into the casket. She was buried at the Forest Lawn Memorial Park in Cypress, California. In 2003, Richard Carpenter had Karen re-interred, along with their parents, in a Carpenter family mausoleum at the Pierce Brothers Valley Oaks Memorial Park in Westlake Village, California, which is closer to his Southern California home.

Carpenter’s death brought lasting media attention to anorexia nervosa and also to bulimia. In the years after Carpenter’s death,a number of celebrities decided to go public about their eating disorders, among them actress Tracey Gold and Diana, Princess of Wales. Medical centres and hospitals began receiving increased contacts from people with these disorders. The general public had little knowledge of anorexia nervosa and bulimia prior to Carpenter’s death, making the condition difficult to identify and treat. Her family started the “Karen A. Carpenter Memorial Foundation,” which raised money for research on anorexia nervosa and eating disorders. Today the name of the organization has been changed to the “Carpenter Family Foundation.” In addition to eating disorders, the foundation now funds the arts, entertainment and education.

On October 12, 1983, the Carpenters received a star on the Hollywood Walk of Fame. It is located at 6931 Hollywood Blvd., a few yards from the Kodak Theater. Richard, Harold and Agnes Carpenter attended the inauguration, as did many fans. In 1987, movie director Todd Haynes used songs by Richard and Karen in his movie Superstar: The Karen Carpenter Story. In the movie, Haynes portrayed the Carpenters with Barbie dolls, rather than live actors. The movie was later pulled from distribution after Richard Carpenter won a court case involving song royalties; Haynes had not obtained legal permission to use The Carpenters’ recordings. On January 1, 1989, the similarly titled made-for-TV movie The Karen Carpenter Story aired on CBS with Cynthia Gibb in the title role. Gibb lip-synced the songs to Carpenter’s recorded voice. Both films use the song “This Masquerade” in the background while showing Karen’s marriage to Burris.

In loving memory of Spencer 1969 – 2000